By exploreodisha.in 
The sacred city of Puri, nestled along the coast of Odisha, is not only renowned for its architectural marvel—the Jagannath Temple—but also for its vibrant and deeply symbolic rituals. Among the many revered traditions, the Suna Besha of Lord Jagannath, Lord Balabhadra, and Goddess Subhadra stands as one of the most awe-inspiring and spiritually profound spectacles. Also known as the Golden Adornment Festival, Suna Besha draws millions of devotees and spiritual seekers to witness the divine deities bejeweled in radiant gold ornaments, radiating celestial grandeur.
This article unfolds the complete history, rituals, symbolism, and cultural essence of Lord Jagannath’s Suna Besha, offering a detailed exploration into its divine origins and timeless appeal.
What is Suna Besha?
Suna Besha, literally meaning “golden attire” in Odia, is the ritual in which the deities of Jagannath, Balabhadra, and Subhadra are adorned with immense quantities of gold jewelry and ornaments. The ritual takes place on the eleventh day (Ekadashi) of the bright fortnight of Ashadha, following the world-famous Rath Yatra or Car Festival. It is observed while the deities are still seated on their respective chariots in front of the Shri Jagannath Temple—outside the sanctum.
This unique occasion transforms the gods from their typically modest wooden forms into resplendent royal beings, symbolizing not worldly indulgence, but the divine richness of spiritual wealth, compassion, and sovereignty.
Historical Origin of Suna Besha
The origin of Suna Besha dates back to the 15th century during the rule of King Kapilendra Deva, the founder of the Suryavamsi Gajapati dynasty in Odisha. After a victorious military campaign in the southern part of India, King Kapilendra Deva returned to Puri with immense wealth, including gold and precious jewels. As a gesture of gratitude and surrender, he offered the riches to Lord Jagannath.
To honor the Lord, he commissioned the crafting of elaborate gold ornaments and initiated the tradition of adorning the deities during Rath Yatra, thereby establishing the first Suna Besha ceremony.
Since then, the tradition has continued as a symbol of divine kingship, reinforcing the belief that Jagannath is not just a deity but the supreme ruler of the universe, beyond time and dynasties.
When and Where is Suna Besha Observed?
Date & Occasion:
- Suna Besha is observed on Ashadha Shukla Ekadashi, which falls on the eleventh day after Rath Yatra.
- It is one of the major rituals during the Bahuda Yatra, when the deities return from the Gundicha Temple to the main Jagannath Temple.
Location:
- The adornment takes place on the chariots themselves, parked in front of the Singhadwara (Lion’s Gate) of the Jagannath Temple.
- The deities do not return to the sanctum until after this ritual, thus offering public darshan to devotees.
The Ornaments: A Glimpse into Divine Opulence
The gold ornaments used in Suna Besha are not mere embellishments but deeply symbolic pieces, each with its own theological meaning and iconographic significance. The ornaments, collectively weighing over 200 kilograms, are carefully stored and guarded by the temple administration under strict security.
1. Lord Jagannath’s Ornaments:
- Gold Chakra (Discus) on the right hand and Conch (Shankha) on the left
- A golden crown (Mukut) embedded with diamonds and rubies
- Large gold earrings, anklets, armlets, and garlands
- A chest plate with intricate motifs of peacocks, lotuses, and divine symbols
2. Lord Balabhadra’s Ornaments:
- Gold plough (Hal) and mace (Gada), denoting strength and agrarian prosperity
- A grand gold crown with green and red gemstones
- A garland of gold beads and flower motifs
- Heavy golden bangles and ornaments for legs and arms
3. Goddess Subhadra’s Ornaments:
- A gold lotus in each hand symbolizing beauty and divine motherhood
- A crown shaped like a dome, more rounded and delicate than her brothers’
- Nose rings, earrings, and intricate ornaments designed in floral patterns
- A golden veil and necklace layered in temple-style carvings
All these ornaments are handcrafted by hereditary artisans who follow ancient Vaishnavite sculptural principles.
Ritual Procedure of Suna Besha
The ritual is carried out with extreme sanctity and discipline, involving multiple sevayats (servitors), especially those from the Pushpalaka, Talichha Mohapatra, and Palia Panda categories.
Step-by-Step Ritual Process:
- Preparation: The chariots are cleaned and sanctified. Special platforms are built to help the servitors climb and reach the idols.
- Ornament Placement: Each ornament is placed in a prescribed order, accompanied by sacred mantras and musical hymns.
- Devotional Music: The air fills with Mahari dance, Gita Govinda hymns, and Odia bhajans, turning the event into a spiritual festival.
- Darshan: Once the dressing is complete, devotees are allowed to witness the Suna Besha darshan from a distance. Thousands queue for hours for a single glimpse.
This darshan is believed to cleanse sins, bring fortune, and strengthen one’s spiritual resolve.
Symbolism of Suna Besha
Suna Besha is far more than a display of gold—it is a philosophical expression and spiritual metaphor.
- Divine Royalty: The golden attire symbolizes that the Lord is the eternal king, whose kingdom is the cosmos, and whose subjects are all living beings.
- Impermanence of Wealth: Although the deities are adorned in gold, their base wooden forms remain unchanged underneath—signifying that spiritual essence matters more than material wealth.
- Inclusiveness: Since this ritual is held outside the sanctum, it allows non-Hindus and foreigners, otherwise restricted from entering the temple, to witness the divine presence—thus promoting inclusivity and universal access to divinity.
Other Forms of Suna Besha
While the Ashadha Ekadashi Besha is the most well-known, Suna Besha is also observed five other times during the year:
- Kartika Purnima
- Pausha Purnima
- Dola Purnima (Holi)
- Ratha Dwadashi
- Bijaya Dashami
However, the Rath Yatra Suna Besha remains the most celebrated and widely attended.
Security and Preservation
Given the high value of the ornaments, Suna Besha is executed under multi-layered security, with coordinated efforts between the Jagannath Temple Administration, Odisha Police, and state intelligence units. The ornaments are transported in heavy-duty iron chests, under armed guard, and placed in secure custody post-ritual.
Conclusion
The Suna Besha of Lord Jagannath is not merely a ceremonial adornment—it is a radiant union of devotion, artistry, history, and spiritual wisdom. It showcases the transcendental beauty of the divine in golden glory, reminding devotees of the Supreme Lord’s majesty and compassion.
Through Suna Besha, we witness how opulence, when used to honor the divine, becomes a form of bhakti (devotion), and how the simplicity of wooden idols transforms into the majesty of golden gods—not to glorify materialism, but to reflect the richness of spiritual surrender.
In every golden jewel and sacred chant, Suna Besha echoes a timeless message: true wealth lies not in possession, but in reverence and inner realization.